I’ve felt like a fish out of water for most of my life. My mom’s English and my dad’s from Pennsylvania, so growing up it was always difficult to figure out who I was, where was “home.” So I always felt uneasy and self-conscious about not fitting in, wherever I happened to be. I always felt vaguely homesick for somewhere else. Reading was one way I could escape, travel was another, more literal way. Which is how I ended up in South Africa, where I eventually got my master's in journalism/international politics. (And my adventures there, of course, led to my book.)
I think the genre will always resonate with me; a young adult facing the prospect of monotonous regular life and deciding to go off into the wild. But I love more that the book subverts this. This sort of rite-of-passage trope is easily romanticized, but in practice, it can prove to be much more chastening and sobering than expected.
You’ve got to be careful what you wish for. True adventure might not be for everyone. Experiencing the dark underbelly of life at the borderlands of the civilized/developed world, where it’s every man for himself; where human nature’s worst impulses are left unchecked.
It also explores the futility of our core American values of expansion and domination of the world; how bleak and wasteful and brutal that process is in practice.
In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.
It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them,…
I love that this book does such a great job of capturing the many incongruities and quirks of life in South Africa, a country with such a complex, troubled history that it is still struggling to reconcile.
It’s a country of immense diversity (racially, politically, and culturally), which leads to some absurd situations. Some funny, some tragic. And it’s set against an incredibly unique and beautiful natural backdrop, and it’s at the bottom of the world, literally representing the global south/periphery. So there’s a ton of dramatic tension inherent.
I also relate with Noah’s story just in terms of the cross-cultural element; growing up with parents from different places and never quite fitting in. And yet he tackles these very serious, very bleak situations and experiences, at both the micro and macro levels, with humor.
The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight of apartheid and the tumultuous days of freedom that followed.
One of the comedy world's brightest new voices, Trevor Noah is a light-footed but sharp-minded observer of the absurdities of politics, race and identity, sharing jokes and insights drawn from the wealth of experience acquired in his relatively young life. As host of the US hit show The Daily Show with Trevor Noah, he provides viewers around the globe with their nightly dose of biting satire, but here Noah turns his…
I loved this book because it shows that the setting/particulars of the “journey” don’t actually matter.
It’s all about the author’s voice, perspective, and, in this case, their sense of humor. If these aspects are unique and engaging, it doesn’t matter where they went, or if you have any interest in seeing/doing those things for yourself.
I’ve always felt like I can resonate more with people that are willing to admit their fallibility, and even draw attention to/make light of it. To just how ignorant or clumsy or hapless or cowardly they are. I think that always makes for a better, more human story, a better connection with the reader.
On top of all this, I have a soft spot for the Appalachian Trail, since it crosses through Pennsylvania, only a few miles from where I grew up.
From the author of "Notes from a Small Island" and "The Lost Continent" comes this humorous report on his walk along the Appalachian Trail. The Trail covers 14 states and over 2000 miles, and stretches along the east coast of America from Maine in the north to Georgia in the south. It is famous for being the longest continuous footpath in the world. It snakes through some of the wildest and most specactular landscapes in America, as well as through some of its most poverty-stricken and primitive backwoods areas.
I love this essay for the same reason I love so much of DFW’s nonfiction. His voice is completely unique; unashamedly neurotic and over-analytical, to the extent that the stated objective of the trip (the piece is about his week on a cruise ship, which advertises guaranteed total relaxation, pampering, and convenience) is completely – and often comically – undermined.
It resonates with me because I’ve always had trouble with the whole “Just live in the moment!” shtick, so it was very inspiring/validating to discover someone who had made their being an outsider/misfit a strength. To see someone just be unashamedly themselves. So that’s what I took away.
Don’t keep your neuroticism and self-consciousness and eccentricity to yourself to try and seem “normal,” but actually lean into those things. Question things that nobody else seems to be questioning.
A collection of insightful and uproariously funny non-fiction by the bestselling author of INFINITE JEST - one of the most acclaimed and adventurous writers of our time. A SUPPOSEDLY FUN THING... brings together Wallace's musings on a wide range of topics, from his early days as a nationally ranked tennis player to his trip on a commercial cruiseliner. In each of these essays, Wallace's observations are as keen as they are funny.
Filled with hilarious details and invigorating analyses, these essays brilliantly expose the fault line in American culture - and once again reveal David Foster Wallace's extraordinary talent and…
I love this one because of the premise: Theroux wants to go up the west coast of Africa, with the caveat that he will go via overland methods only – no planes.
The thinking is that having to traverse the land (or water) itself, however circuitous, tedious, or even dangerous the journey may be, gives us a much greater appreciation for the places we visit. It gives our experiences texture and forces us to be in the present.
I think this is a critical message for us in the modern world. We have this idea that convenience and comfort and speed are necessarily aspirational. But if everything’s streamlined, we end up taking things for granted and essentially just ghosting through life.
Following the success of the acclaimed Ghost Train to the Eastern Star and The Great Railway Bazaar, The Last Train to Zona Verde is an ode to the last African journey of the world's most celebrated travel writer, Paul Theroux.
'Happy again, back in the kingdom of light,' writes Paul Theroux as he sets out on a new journey though the continent he knows and loves best.
Having travelled down the right-hand side of Africa in Dark Star Safari, he sets out this time from Cape Town, heading northwards in a new direction, up the left-hand side, through South Africa…
Jack, a kid in small-town America, is starting to panic. College (AKA: a lifetime of debt) is approaching. He’s got to escape. So he goes to Cape Town, South Africa, where he’ll volunteer through a local NGO. He falls in love with the country and returns twice more over the coming years.
Along the way, his absurd, terrifying (and sometimes hilarious) adventures force him to confront not only the complex history of this beautiful, albeit troubled, country, but to reflect on life back home, and ponder some bigger questions, like: What it means to be an ethical consumer, or traveler, or whether such a thing is even possible in a world where the boundaries between art, politics, entertainment, and advertisement are increasingly blurred.
